収録作家： Doug Aitken, Laurie Anderson, John M Armleder, Richard Artschwager, John Baldessari, Stephan Balkenhol, Matthew Barney, Georg Baselitz, Vanessa Beecroft, Ross Bleckner, Alighiero e Boetti, Christian Boltanski, Louise Bourgeois, Sophie Calle, Maurizio Cattelan, Vija Celmins, Francesco Clemente, Chuck Close, Enzo Cucchi, Martin Disler, Marlene Dumas, Eric Fischl, Peter Fischli & David Weiss, Sylvie Fleury, Günther Förg, Katharina Fritsch, Franz Gertsch, Gilbert and George, Liam Gillick, Robert Gober, Nan Goldin, Felix Gonzalez-Torres, Douglas Gordon, Andreas Gursky, David Hammons, Thomas Hirschhorn, Damien Hirst, Jenny Holzer, Rebecca Horn, Roni Horn, Gary Hume, Ilya Kabakov, Alex Katz, Mike Kelley, Ellsworth Kelly, Karen Kilimnik, Martin Kippenberger, Imi Knoebel, Jeff Koons, Jannis Kounellis, Yayoi Kusama, Wolfgang Laib, Sherrie Levine, Sarah Lucas, Brice Marden, Mario Merz, Tracey Moffatt, Mariko Mori, Malcolm Morley, Sarah Morris, Juan Muñoz, Jean-Luc Mylayne, Bruce Nauman, Cady Noland, Meret Oppenheim, Gabriel Orozco, Tony Oursler, Jorge Pardo, Raymond Pettibon, Elizabeth Peyton, Sigmar Polke, Richard Prince, Markus Raetz, Charles Ray, Jason Rhoades, Gerhard Richter, Bridget Riley, Pipilotti Rist, Matthew Ritchie, Tim Rollins and K.O.S, Ugo Rondinone, James Rosenquist, Susan Rothenberg, Thomas Ruff, Ed Ruscha, Thomas Schütte, Cindy Sherman, Roman Signer, Andreas Slominski, Beat Streuli, Thomas Struth, Hiroshi Sugimoto, Philip Taaffe, Sam Taylor-Wood, Diana Thater, Wolfgang Tillmans, Rirkrit Tiravanija, Rosemarie Trockel, James Turrell, Luc Tuymans, Kara Walker, Jeff Wall, Andy Warhol, Lawrence Weiner, Franz West, Rachel Whiteread, Sue Williams, Robert Wilson, Christopher Wool.
Essays by Susan Tallman and Deborah Wye.
For nearly two decades Parkett has been the leading international journal on contemporary art. Its in-depth presentations on artists have become the standard for criticism and analysis, and being selected to be in Parkett is considered an honor for contemporary artists worldwide. More than 100 artists have collaborated with Parkett on both the journal's content and the production of special art editions made available to the readers of Parkett. In this new catalogue raisonne, each of the 120 artists' editions are fully documented and reproduced in full color. Along with the editions, this volume also pays tribute to the many authors who have written texts for Parkett by providing a complete index of their contributions, and it reproduces each Parkett cover, now more than 60, in full color. Deborah Wye, a curator at the Museum of Modern Art, writes an essay looking at the various methods of collaboration between Parkett and the artists, including the editions, inserts, spines, covers, and design of the publication. Susan Tallman explores the diversity and richness of the artists' editions through the years. This book coincides with the exhibition Collaborations with Parkettt: 1984 to Now, at the Museum of Modern Art, New York, in the spring of 2001.
